论文标题
弗里达:合作的机器人画家,具有可区分的Real2sim2real计划环境
FRIDA: A Collaborative Robot Painter with a Differentiable, Real2Sim2Real Planning Environment
论文作者
论文摘要
绘画是渲染视觉内容的艺术过程,它实现了艺术家的高级沟通目标,该目标可能在整个创作过程中动态变化。在本文中,我们提出了一项框架和机器人技术计划,用于开发艺术(FRIDA),该计划使人类通过使用简单的输入(例如语言描述或图像)与画家机器人合作在画布上生产绘画。弗里达(Frida)介绍了几项用于计算建模创意绘画过程的技术创新。首先,我们为绘画开发了一个完全可区分的仿真环境,将真实的概念与真实的模拟(real2sim2real)一起采用。我们表明,与机器人绘画所使用的现有模拟环境相比,我们提出的模拟绘画环境对现实的保真度更高。其次,为了建模创作过程的不断发展的动态,我们开发了一种计划方法,该方法可以基于不断发展的高级目标来不断优化绘画计划。与现有的方法相反,在内容生成过程和行动计划是独立和依次执行的,Frida通过不断地重新分布和重新评估其语义目标根据其对绘画进度的视觉感知来适应使用油漆和刷子的随机性质。我们描述了有关技术方法以及系统集成的详细信息。
Painting is an artistic process of rendering visual content that achieves the high-level communication goals of an artist that may change dynamically throughout the creative process. In this paper, we present a Framework and Robotics Initiative for Developing Arts (FRIDA) that enables humans to produce paintings on canvases by collaborating with a painter robot using simple inputs such as language descriptions or images. FRIDA introduces several technical innovations for computationally modeling a creative painting process. First, we develop a fully differentiable simulation environment for painting, adopting the idea of real to simulation to real (real2sim2real). We show that our proposed simulated painting environment is higher fidelity to reality than existing simulation environments used for robot painting. Second, to model the evolving dynamics of a creative process, we develop a planning approach that can continuously optimize the painting plan based on the evolving canvas with respect to the high-level goals. In contrast to existing approaches where the content generation process and action planning are performed independently and sequentially, FRIDA adapts to the stochastic nature of using paint and a brush by continually re-planning and re-assessing its semantic goals based on its visual perception of the painting progress. We describe the details on the technical approach as well as the system integration.