论文标题

音乐推荐系统中以利益相关者为中心的观点

A Stakeholder-Centered View on Fairness in Music Recommender Systems

论文作者

Dinnissen, Karlijn, Bauer, Christine

论文摘要

我们的叙事文献综述承认,尽管对推荐系统的公平性越来越兴趣,但在这方面,音乐领域的关注却相对较少。但是,解决音乐推荐系统(MRS)的公平性非常重要,因为这些系统的性能极大地影响了音乐流媒体平台的用户和为这些平台提供音乐的艺术家。这些利益相关者群体可能拥有的独特需求以及应考虑的公平性不同方面,使一个充满挑战的研究领域具有充足的改进机会。该评论首先从每个利益相关者和利益相关者的合并的角度概述了关于公平夫人的当前文献,然后确定了未来研究的有希望的方向。 审查引起的两个开放问题如下:(i)在MRS Field中,仅公开数据才能进行公平研究;大多数数据集源自同一源,或者是专有的(因此不可广泛访问)。我们如何解决此有限的数据可用性? (ii)总体而言,审查表明,大多数作品都分析了公平夫人的当前状况,而只有少数著作提出了改善它的方法。我们如何继续专注于改善这些推荐系统中的公平方面? 在FACCTREC '22上,我们强调了在音乐领域中解决RS公平性的细节。

Our narrative literature review acknowledges that, although there is an increasing interest in recommender system fairness in general, the music domain has received relatively little attention in this regard. However, addressing fairness of music recommender systems (MRSs) is highly important because the performance of these systems considerably impacts both the users of music streaming platforms and the artists providing music to those platforms. The distinct needs that these stakeholder groups may have, and the different aspects of fairness that therefore should be considered, make for a challenging research field with ample opportunities for improvement. The review first outlines current literature on MRS fairness from the perspective of each stakeholder and the stakeholders combined, and then identifies promising directions for future research. The two open questions arising from the review are as follows: (i) In the MRS field, only limited data is publicly available to conduct fairness research; most datasets either originate from the same source or are proprietary (and, thus, not widely accessible). How can we address this limited data availability? (ii) Overall, the review shows that the large majority of works analyze the current situation of MRS fairness, whereas only few works propose approaches to improve it. How can we move forward to a focus on improving fairness aspects in these recommender systems? At FAccTRec '22, we emphasize the specifics of addressing RS fairness in the music domain.

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