论文标题
取样:鼓样品取回音乐环境
SampleMatch: Drum Sample Retrieval by Musical Context
论文作者
论文摘要
现代的数字音乐制作通常涉及将许多声学元素组合在一起以编译音乐。此类元素的重要类型是鼓样品,这些样本决定了该作品的打击乐成分的特征。艺术家必须利用自己的审美判断来评估给定的鼓样本是否适合当前的音乐背景。但是,从潜在的大图书馆中选择鼓样本是乏味的,可能会中断创意流程。在这项工作中,我们根据从数据中学到的审美原理探索自动鼓样品检索。结果,艺术家可以通过在制作过程的不同阶段(即适合不完整的歌曲混音)来对其图书馆中的样本进行排名。为此,我们使用对比度学习来最大程度地提高源自与混合物同一歌曲的鼓样品的分数。我们进行听力测试,以确定人类评分是否与自动评分函数相匹配。我们还进行客观的定量分析以评估方法的功效。
Modern digital music production typically involves combining numerous acoustic elements to compile a piece of music. Important types of such elements are drum samples, which determine the characteristics of the percussive components of the piece. Artists must use their aesthetic judgement to assess whether a given drum sample fits the current musical context. However, selecting drum samples from a potentially large library is tedious and may interrupt the creative flow. In this work, we explore the automatic drum sample retrieval based on aesthetic principles learned from data. As a result, artists can rank the samples in their library by fit to some musical context at different stages of the production process (i.e., by fit to incomplete song mixtures). To this end, we use contrastive learning to maximize the score of drum samples originating from the same song as the mixture. We conduct a listening test to determine whether the human ratings match the automatic scoring function. We also perform objective quantitative analyses to evaluate the efficacy of our approach.